[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/writing_excuses_logo.png]] [Brandon] This is Writing Excuses, Writing Secondary Characters, with Charlaine Harris, Live from GenCon! Sanderson variation: Every word you write is worthwhile. Season 14: Worldbuilding! Ramp up the tension! Futurism, for those unfamiliar with our use of the term here, is related to science fiction, but it remains rooted in existing technology and trends, then seeks to be predictive in useful ways. Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin. Michelle Lyons McFarland, Monica Valentinelli, and Shanna Germain join Howard and Dan at GenCon, and talk about the craft of world building for role playing games. What draws the reader forward? Brandon, Dan, and Howard are joined by Phil and Kaja Foglio, and we discuss writing for webcomics… no, wait… writing for “sequential picture-assisted storytelling.” Phil and Kaja are the creators of Girl Genius, the web’s … Continue reading Writing Excuses Episode 28: Writing for Webcomics with Phil and Kaja Foglio →, So what exactly does an editor, do, anyway? And how lovable can a group of mercenaries be? Credits: This episode was recorded by Daniel Thompson, and … Continue reading 11.16: Adventure as a Subgenre →. Imagine an individual in that group, and ask yourself what that person is going to do, and why. Season 9. This list of notes is your “beat chart,” and it’s going to teach you neat things about your story. [Mary] Season 13, Episode 11. Is there a perfect length? Adherence to a fifteen minute limit is not absolute, and Writing Excuses frequently runs to about 20 minutes. Science Fiction often explores issues by changing the context. Last modified: 9/16/11. We cover some tools for exploring an idea, and then drill down a bit on how to use that exploration, or even multiple explorations as “seasoning” elements for a larger work. Listen closely and … Continue reading Writing Excuses Episode 24: Research →, We are pleased to present the second half of “Viewpoint and Tense,” which, as we all know, is Tense. You are likely to find reasons like toddler trouble, age, illness, time, little knowledge, to creativity blocks still making headlines in the writing community as the biggest launchers to writing excuses. 15.02: Writing Between the Lines. In the first of our series on genres, we discuss why people write Sci-Fi, what you need to know to write Sci-Fi, and how much we all love unicorns. Season 8. You can find all the other info, including our incredible guest list, here. Planetfall by Emma Newman, narrated by Emma Newman, We fielded the following questions about the “Thriller” elemental genre from listeners on Facebook and Twitter: How do I build tension consistently through my story? How do you recover when a relationship starts to feel forced? It comes from Season 1, Episode 12 and Season 1, Episode 13. Word count equals motivation times focus. Applications Are Open for the 2018 Writing Excuses Retreat Scholarship. Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes. Then take the scary line and create two separate short stories using it. Elizabeth Bear and Scott Lynch joined Howard and Dan at GenCon Indy to talk about fantasy food, and how we engage our readers’ appetites with our fiction. Write down the arguments in favor of the side you disagree with, but don’t use strawman arguments. We decided to end the season with a discussion of endings. Season Eleven will not be engaging in those arguments. Don’t believe me? New podcasts are published weekly on Sundays. We explore the emotional components that readers seek from horror, and then drill down into the ways that we can create those reactions in our readers. Find a way for them to tell that joke “in character,” in their style. We discuss the difference between the drivers in thrillers, horror stories, and mysteries, and use the elemental genre tools to assist in the differentiation. Here are some notes I took after listening to Writing Excuses. Take your favorite piece of media that is NOT primarily an adventure, and look for the places where elemental adventure is used. How do we use that to add depth to our story? Why do we like adventure? In this episode we discuss some stylistic tools for applying humor to our work, and how these tools can best be employed. There are a plethora of reasons writers give for letting excuses take over their work. Pair this with another subgenre. Season One Index Season Two Index Season Three Index Season Four Index Season Five Index. Man City won last season's semi-final 3-2 on aggregate. Credits: This episode was … Continue reading 11.25: Elemental Mystery is Everywhere →. Season 1. Write something that you’ve never tried to write, genre-wise. We tackle questions from the audience again (except for when Brandon throws a question AT the audience, which still had Mike Stackpole in it.) Describe it using those cool point-of-view tools that evoke wonder in the reader. Gail Carriger joins us to talk about her Convention Survival Kit, which is full of things most of us wish we’d known to pack with us years ago. Credits: This episode was recorded aboard Oasis of the Seas … Continue reading 11.49: Elemental Ensemble, with Michael Damien Thomas →. 11.48: Elemental Issue Q&A, with DongWon Song, 11.Bonus-04: Fantasy Food, with Elizabeth Bear and Scott Lynch, 11.49: Elemental Ensemble, with Michael Damien Thomas, 11.50: Hand-Selling Your Book to Potential Readers, with Michael R. Underwood, 11.51: Ensemble as a Sub-Genre, with Lynne M. Thomas, 11.52: Elemental Ensemble Q&A, With Claudia Gray, 11.2: How To Get The Most Out Of A Conference, with Kathy Chung, plenty of other books from Mary on Audible, 11.05: Writing and World Building for Role Playing Games, 11.07: The Convention Survival Kit, with Gail Carriger, The Shootout Solution: Genrenauts Episode 1, Women Destroy Science Fiction! An object, a character, and a genre. Ghost Talkers, by Mary Robinette Kowal, and also narrated by Mary, Humor is present as an element, at least to some degree, in a substantial amount of the media we consume. 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